'Explorations of the Liminal'
r0k.5
Lately, my artistic practice has taken a turn into new, uncharted territory. I find myself drawn to the abstraction of both natural and man-made forms.
This process feels both intuitive and intentional. I'm not simply recreating what I see, but searching for a language beyond the literal—a visual vocabulary that captures something liminal. There’s a tension I’m drawn to, between what’s organic and what’s engineered, between solidity and softness, between the world as it is and the world as it might be felt.
As I move deeper into this practice, I sense that I’m building a connective tissue—not just between materials, but between ideas. Between my inner world and the structures that surround me. Between what can be named and what resists naming.
Each piece, each experiment, feels like a step further into unknown territory. And yet, something about it feels deeply familiar.
I don’t yet know where this path leads, but I’m learning to trust the process. To listen to the forms that emerge. To follow the quiet pull of connection, even when it’s not fully understood
This process feels both intuitive and intentional. I'm not simply recreating what I see, but searching for a language beyond the literal—a visual vocabulary that captures something liminal. There’s a tension I’m drawn to, between what’s organic and what’s engineered, between solidity and softness, between the world as it is and the world as it might be felt.
As I move deeper into this practice, I sense that I’m building a connective tissue—not just between materials, but between ideas. Between my inner world and the structures that surround me. Between what can be named and what resists naming.
Each piece, each experiment, feels like a step further into unknown territory. And yet, something about it feels deeply familiar.
I don’t yet know where this path leads, but I’m learning to trust the process. To listen to the forms that emerge. To follow the quiet pull of connection, even when it’s not fully understood
Lines from Coastal Rocks at Aberffraw
C0N. 5t|>uCts
These new artworks carry forward my ongoing artistic practice, rooted in the exploration of the liminal and the abstract. It’s a continuation into new terrain that feels both raw and deeply authentic.
With the piece 'C0N. 5t|>uCts', I’m abstracting man-made forms. Buildings, engineered lines, structures born of precision but now reimagined through a more intuitive, expressive lens. There’s a kind of alchemy that happens when strict geometry begins to unravel.
I’m finding immense joy in this new path. It feels right. Fresh. Honest. There's something liberating about stepping away from literal representation and allowing intuition to guide form and composition. It’s a process of unbuilding, of shifting focus from the external world to the internal.
With the piece 'C0N. 5t|>uCts', I’m abstracting man-made forms. Buildings, engineered lines, structures born of precision but now reimagined through a more intuitive, expressive lens. There’s a kind of alchemy that happens when strict geometry begins to unravel.
I’m finding immense joy in this new path. It feels right. Fresh. Honest. There's something liberating about stepping away from literal representation and allowing intuition to guide form and composition. It’s a process of unbuilding, of shifting focus from the external world to the internal.
Where one thing hasn’t quite ended, and another hasn’t fully started. That’s where these new works live.
Between the Seen & Unseen. The Edges of something known. The moment before clarity. The pause between the inhale and exhale.
I think we all spend more time in these in-between places than we realise - emotionally, mentally, even physically.
This work is a way of acknowledging that, of holding space for the subtle, the uncertain, the unseen.
It’s not about answers. It’s about noticing.
