'Explorations of the Liminal'
Between the Seen & Unseen. The Edges of something known. The moment before clarity. The pause between the inhale and exhale.
r0k.5
The rocks - between worlds
The rocks - between worlds (short film from ynys llanddwyn)
Lately, my artistic practice has taken a turn into new, uncharted territory. I find myself drawn to the abstraction of both natural and man-made forms.
This process feels both intuitive and intentional. I'm not simply recreating what I see, but searching for a language beyond the literal—a visual vocabulary that captures something liminal.
This process feels both intuitive and intentional. I'm not simply recreating what I see, but searching for a language beyond the literal—a visual vocabulary that captures something liminal.
There’s a tension I’m drawn to, between what’s organic and what’s engineered, between solidity and softness, between the world as it is and the world as it might be felt.
these new works live Where one thing hasn’t quite ended, and another hasn’t fully started.
Between the Seen & Unseen. The Edges of something known. The moment before clarity. The pause between the inhale and exhale.
I think we all spend more time in these in-between places than we realise - emotionally, mentally, even physically.
my practice is a way of acknowledging that, of holding space for the subtle, the uncertain, the unseen.
Between the Seen & Unseen. The Edges of something known. The moment before clarity. The pause between the inhale and exhale.
I think we all spend more time in these in-between places than we realise - emotionally, mentally, even physically.
my practice is a way of acknowledging that, of holding space for the subtle, the uncertain, the unseen.
Lines from Coastal Rocks at Aberffraw
'It’s not about answers. It’s about noticing.'
The Rocks - Between Worlds
The Rocks - Between Worlds
The newest project: the rocks - between worlds is rooted in the exploration of the rocks on the isle of anglesey, north Wales.
a continuation into new terrain that feels both raw and deeply authentic
C0N. 5t|>uCts
With the piece 'C0N. 5t|>uCts', I’m abstracting man-made forms. Buildings, engineered lines, structures born of precision but now reimagined through a more intuitive, expressive lens. There’s a kind of alchemy that happens when strict geometry begins to unravel.
I’m finding immense joy in this new path. It feels right. Fresh. Honest. There's something liberating about stepping away from literal representation and allowing intuition to guide form and composition. It’s a process of unbuilding, of shifting focus from the external world to the internal.
As I move deeper into this practice, I sense that I’m building a connective tissue—not just between materials, but between ideas. Between my inner world and the structures that surround me. Between what can be named and what resists naming.
Each piece, each experiment, feels like a step further into unknown territory. And yet, something about it feels deeply familiar.
I don’t yet know where this path leads, but I’m learning to trust the process. To listen to the forms that emerge. To follow the quiet pull of connection, even when it’s not fully understood
Ch>in
